| Liu Heung
Shing was born in 1951 to mainland Chinese parents living in Hong
Kong. Three years later, Liu’s family who had little confidence in the
education system in Hong Kong at the time, took Liu back to China to
receive his early education in the south eastern province of Fujian.
Liu came back to Hong Kong in 1961 for secondary school and later
emigrated to the US. In 1971, he
enrolled in New York City’s Hunter College where he studied political
science and journalism. He was first
introduced to photography in his final year of university in a course
taught by renowned Life magazine photographer Gjon Mili. In
1976, following his graduation from university, he became Mili’s
apprentice. This brief tutelage deeply influenced the development of
Liu’s editorial and aesthetic sensibilities.
Liu worked for Time magazine on assignment in
China for five years, his first story being the death of Mao Zedong in
1976. Subsequently, he worked for Associated Press (AP) as a foreign
correspondent based in Beijing, Los Angeles, New Delhi, Seoul and
Moscow.
Liu won the 1989 Picture of the Year competition
with a shot from his photographic coverage of the June 4th crackdown
in Beijing. In 1990 he was named best spot news photographer by the AP
managing editors. Liu and his AP Moscow colleagues won the 1992
Pulitzer Prize for spot news photography for their reportage
documenting the collapse of the Soviet Union. Additionally, Liu received
the 1991 Overseas Press Club’s Eastman Kodak award for his USSR
coverage. A book of Liu’s Soviet Union work, USSR, Collapse of an
Empire, was published by Asia 2000 in 1992.
Liu’s photographs have been exhibited around the
world. He served as a member of the 1995 jury of the World Press
Photo.
Liu was the founder and editor-in-chief of the
Chinese magazine called The Chinese published from Hong Kong in
1990's. He now lives in Beijing.
China After Mao was first published in 1983.
It records the period from 1976 to 1982, when China was taking its
first tentative steps away from the shadow of Mao. Almost twenty
years later, the impact of these images remains just as forceful. They
serve as a unique record of the extraordinary transitional period that
preceded today’s China.
This latest edition contains Liu’s personal favourites
from the first volume, reproduced in greatly enhanced format.
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